Keywords: abandoned places, urbex, spirituality, society, anthropology, ancient civilizations, past, memory, video art, short film, performance art
Abandoned places spread all over the world, civilizations that has left their constructions as the only trace and a historical rescue through the art, craving the past reconstruction through two paths: the architecture and the human body.

These constructions were a common process in the most disparate societies, and what links this context is the performance, which raises the action in time -action that is considered primitive since the most complex context named civilizing - to the most usual such as breathing. And all this deconstructionism becomes imagery.
For records of bodies in a dialectic present in these ruins structured under a surface that: wrinkles, cleaves and shells numerous overlapping stories that allows the intimate connection with the past, and begs us to reflect to where we are going from now on.

The body in a clash with the surface that finally allowsto be crossed, allowing a timeless dialogue of still unknown stories.
These are cities with no windows, houses with no locks, a horizon increasingly thicker and concrete.



Exhibition History:
2017 — 2st Changjiang International Photo & Video Biennale Changjiang Museum of Contemporary Art - Changjiang/China Curator: Robert Adanto Selected works: “Reincarnate Project”
2020 - Disobedient – Redefining Feminism in a Fractured Reality at ArtServe Gallery – FL (The curatorial team includes ArtServe’s Lead Curator Sophie Bonet, Carol Anne Mc Farlane and Robert Adanto)
Datasheet:
Performers: Natalia Coutinho, Andrea Barbour, Fernando Anitelli, Canela Bayona, Veronica Giraldo, Thays Vita, Carlos Amaya


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