Photography is taken in a dramatic representation, used as a central approach and exploration of the self-psyche, emotional linkages, mental disorders, traumas and depression, in the case of memories that occurred in a substantial past, for the construction of the present.
This same past is over, allowing changing lived situations, going to a new path to that experience through the photographic reprocessing.
A derived and large in possibilities scene, which the protagonist becomes an auxiliary-ego, transforming its past in a perspective from another, distancing from the screenplay, desensitizing the situation through self-pictures frames that tells each step of the story, although allowing the manipulation in physical, digital and contextual of the denouement. The daily heart, ready to receive changes under remembrances not owned any longer. If there are ancestral beliefs, of situations and characteristics passed on, I believe that this lace was cut when the photography allowed me to materialize different ends of all the stories.
“Rape” (video-performance) is about my process of talking about the sexual violations, which the only possible dialogue was with images, specifically during psychological therapies – the video has no voice, is muted, and this is purposely symbolic because I was unable to verbalize what had happened to me.